With M+, the timing is always off. After years of complaints that the museum of visual culture was taking too long to build, it is opening at long last – smack in the middle of a pandemic. A coterie ...

Restored versions of Chinese language cinema classics Wong Kar-wai’s “Days of Being Wild” (1990) and Jia Zhangke’s first full-length feature “Pickpocket” (“Xiao Wu”) 1998) will lead the inaugural ...

Voiceover: This is calligraphy by the late Tsang Tsou-choi who dubbed himself the “King of Kowloon”. His writings, recognised as an important part of local art, do not adhere to any lineage or school.

After several long years, M+ Cinema – the final element of Hong Kong’s M+ museum of visual culture in the West Kowloon Cultural District – is open to the public. The cinema will show new feature films ...

Studio Thonik has designed the visual identity of the M+ Museum of Visual Culture in West Kowloon, Hong Kong. This project is Hong Kong's new museum on visual culture, focusing on ...

Dezeen Wire: design critic and curator Aric Chen (above) has been appointed curator of art and design for M+, a new museum for visual culture in Hong Kong. The museum is set to open in 2017 as part of ...

HONG KONG — Decisions in Hong Kong not to display a politically sensitive photograph in a museum exhibition and not broadcast the annual Academy Awards for the first time in decades have prompted ...

Voiceover: This is calligraphy by the late Tsang Tsou-choi who dubbed himself the “King of Kowloon”. His writings, recognised as an important part of local art, do not adhere to any lineage or school.